Writing inventory (Areas of strength and weakness) Essay

Writing inventory (Areas of strength and weakness) - Essay Example Broad content seems to be relatively self-explanatory as it looks at how well the finished document accomplishes its intent. Organization and presentation seems also self-explanatory as it refers to the way in which the information is presented. Surface areas refers to the basic elements of writing such as grammar, spelling and punctuation. To make this clearer, I will analyze a piece of my own writing regarding broad content, organization and presentation and surface areas to discover those areas in which I am strong and where I can improve. In terms of broad content, I feel my paper on Anne Hutchinson is very strong. It never truly states its purpose, but the introduction makes it clear that the paper is about to present evidence as to why Anne Hutchinson was a woman ahead of her time as the title claims. The paper gives a brief biography of the woman and points out those areas in which she behaved differently from the way women of her time were expected to behave. The paper is clearly addressed to students of history and, as such, offers important information about what was expected of women in this time that a student of the modern age wouldn’t necessarily know. Numerous credible sources are used to illustrate what life was like for women in the Puritan colonies as well as to support the various ways in which Hutchinson struggled against these constraints. Overall, the paper seems very strong in its broad content. In terms of organization and presentation, I have to again say that I feel the paper is very strong. It starts with an introduction that could perhaps be better organized or more focused, but then goes into strong organization and presentation. Each segment is clearly labeled with a sub-heading and the essay follows a roughly chronological structure. From introducing the brief overview of Anne Hutchinson’s life until she moved to America, the essay examines her

The Middle Ages and the Renaissance Essay Example | Topics and Well Written Essays - 500 words

The Middle Ages and the Renaissance - Essay Example Religion was a vital cultural feature at the time. Religion influenced the cultural and social values in a society. Furthermore, religion influenced governance since religious leaders advised leaders. As such, religion was a fundamental cultural tenet in the early societies. The role of women in religion safeguarded the position of nuns thereby safeguarding some of the fundamental principles of faith. Additionally, Herrad of Landsberg portrayed the role of women in enhancing the growth of knowledge and safeguarding the position of women in the society. She used arts to show the ability of women to learn and take part in arts. By authoring the Hortus deliciarum, a pictoral encyclopedia she sought to enhance the spread of knowledge besides proving the ability of women to take part in arts. The encyclopedia comprised of paintings and poems that helped grow both arts and the enlightenment of women. Her works were among the earliest forms of feminist movements. Lavinia Fontana was among the earliest female artists in Italy. She was the daughter of a painter a feature that influenced her involvement in the art. Painted in 1576, Christ with the Symbols of the Passion is one of her works. Louise Élisabeth Vigà ©e Le Brun on the other hand was one of the most renowned female painters in Northern Europe in the 18th century. She created several works including Portrait of Princess Alexandra Golitsyna and her son Piotr in 1794. The two women had numerous similarities and differences all of which influenced their works and participation in the various forms of arts. Key among the similarities was the fact that they were both daughters of painters (McGuire 55). They therefore inherited the art from their fathers. Their involvement in the art was in a bid to foster the growth of their respective family business. However, the two women lived in different times and locations thereby creating unique works that

Black lives matter the history and existence of racial inequality in the united states Essay Example for Free

Black lives matter the history and existence of racial inequality in the united states Essay â€Å"Hands up. Don’t shoot.†[1] This is a refrain shouted by #BlackLivesMatter activists throughout the United States. #BlackLivesMatter is a movement that gained national momentum in 2014 after acts of police brutality resulting in the death of black Americans such as Mike Brown and Eric Garner. In both of these cases, the respective police officers involved were not indicted for the death of American citizens.[2] This prompted the reaction: â€Å"black lives matter†; the livelihood of black people should and must be as important as that of white people. Throughout history, people of African descent in the United States have not equally enjoyed the same life and opportunities as other Americans due to racism, defined by public health scholars Jennifer Jee-Lyn Garcia and Mienah Zulfacar Sharif as â€Å"system of structuring opportunity and assigning value based on race, that unfairly disadvantages some individuals and communities, and advantages others.†[3] In the early 1900s, multiple doctors brought attention to the disparity in the morbidity and mortality of diseases, many that result from poor living conditions, between black and white Americans. Lawrence Lee, a doctor writing in 1914, noted: â€Å"that tuberculosis and other respiratory diseases and still-births cause a death-rate of 917.9 per 100,000 against a rate of 354.7 for whites.†[4] In 1927, a movement in favor of eugenics took hold, beginning with the Buck v. Bell ruling.[5] This United States Supreme Court case gave doctors the authority to designate cert ain people more fit to breed than others and supported the procreation of the so-called â€Å"fit† and limited that of the â€Å"unfit† through means such as forced sterilization.[6] During this time, forty percent of the â€Å"unfit† people sterilized were non-white.[7] However, #BlackLivesMatter activists demonstrate that racist agendas that are viewed as history in truth have ongoing effects to this day that negatively impact the daily lives and public health of African Americans. Opponents use the social media hashtag #AllLivesMatter, expressing the view that all people deserve equal rights and access to basic necessities, regardless of race. #AllLivesMatter is distinct from the #BlackLivesMatter movement in that it does not acknowledge the past and present inequity in the quality of life between white Americans and those of African descent. #BlackLivesMatter has given voice to a historically oppressed class of people and opened a discussion on how the eugen ics movement has compromised that of black Americans and how this can be corrected and how future racially-charged infractions can be prevented. The racialization of medicine has  ­Ã‚ ­Ã‚ ­Ã‚ ­had a significant role in the development of the eugenics movement. Garcia and Sharif define racism as â€Å"system of structuring opportunity and assigning value based on race, that unfairly disadvantages some individuals and communities† and claims that â€Å"racism as a social condition is a fundamental cause of health and illness.†[8] The eugenics movement is one that is founded on the racist ideology that was detrimental to the African American community. Negative eugenics was carried out through marriage restriction, forced sterilization, and confining the â€Å"feeble-minded† to colonies. The restriction of marriage through issuing marriage licenses was critical in the racist agenda of eugenics. It was illegal to have children outside of wedlock.[9] Virginia in particular banned inter-racial marriage. By doing so, Virginia politicians and eugenicists were intentionally preventing people from having mixed ra ce children, something they saw as undesirable.[10] #AllLivesMatter activists would argue that the eugenics movement was not focused on African Americans, as many of the victims of eugenics were white. In Buck v. Bell, a case heard by the United States Supreme Court that secured eugenic doctors’ ability to forcibly sterilize the feeble-minded, the defendant was Carrie Buck, a white woman.[11]   Proponents of #AllLivesMatter would note that eugenic doctors instead targeted individuals of lower socio-economic status. Some of the diagnostic criteria for detecting feeble-mindedness included â€Å"cold and clammy hands and excessive pallor or blushing.†[12] While many of the victims of the application of negative eugenics were of lower socioeconomic status, it cannot be ignored that the eugenics movement grew from calls to improve black public health in the early 1900’s. Advancements in germ theory allowed for doctors to understand that diseases are transmissible r egardless of race; as a result, doctors emphasized the need for sanitary living conditions for black Americans.[13] Historian Andrea Patterson claims that â€Å"public health measures were hijacked by eugenicists†[14] – rather than these public health measures benefitting blacks, they, in part, created an environment in which eugenicists had reason to believe that people of particular racial background were predisposed to certain illnesses. Although Buck v. Bell enabled the eugenics movement to impact people of all races, the racist political regimes that preceded it supported the development of eugenics.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Paternalism was a major contributing factor to eugenic’s establishment. In 1915, Doctor L. C. Allen posited that â€Å"the negro health problem is one of the white mans burdens, and it is by no means the least of those burdens.†[15] It was his belief that the disproportionately high morbidity and mortality rates of diseases such as tuberculosis and syphilis among black Americans were the responsibility of the white population to resolve. Allen credited the strict supervision of slave owners over black slaves for the lack of illnesses related to an unclean living environment and sexually transmitted diseases while slavery was legal.[16] According to Allen, â€Å"freedom has not benefited his health, nor improved his morals,† where â€Å"he† refers to African Americans.[17] Without white slave owners to ensure that African Americans bathe, clean their living spaces, and do not engage in promiscuous sex, Allen clai ms that African Americans did not properly take care of themselves. His answer to this perceived problem is for white Americans to champion a public health reform by way of changing the educational curriculum for blacks. Allen’s proposed â€Å"industrial education† would consist of teaching African American children proper hygiene and cater to their future career prospects, which mainly consist of service or manual labor roles.[18] By singling out a minority group to be segregated for the purpose of a different education based on race, Allen’s â€Å"industrial education† plan would have been an institutionalized instance of structural racism. Black Americans would have been denied access to an equal education, and by virtue of that, they would be further limited to the jobs available to them. Although this plan did not come to fruition, the ideas behind it lingered. Eugenic doctors felt that it was for the betterment of all humankind to promote the procre ation of those with what these doctors deemed desirable traits while simultaneously diminishing or altogether ceasing the procreation of the â€Å"unfit.†[19] The widespread belief that eugenics existed in order to improve the global gene pool is paternalistic. The socio-economic elite utilized their position of power to further their self-interested ideology at the expense of those below them, particularly African Americans. Mass incarceration of African Americans is a modern practice that in many ways is a continuation of eugenics. Victims of eugenic sterilization told their stories in a 2011 testimony in North Carolina arranged by The Governor’s Task Force to Determine the Method of Compensation for Victims of North Carolina’s Eugenics Board. One such victim was Elaine Riddick, a black woman. Her son, Tony Riddick commented on the ongoing systemic racism in the United States, saying, â€Å"A young man nineteen years old, first time convicted, nonviolent offense, you give him fifteen to twenty years in prison. Now look at what happens, now he can no longer be a father, his mother loses a child.†[20] Though the testimony took place a few years before the #BlackLivesMatter movement gained momentum, these sentiments are the same as those felt by activists today. #BlackLivesMatter advocate and doctor Mary Basset argues in â€Å"#BlackLivesMatter — A Challenge to the Medical and Public Health Communities† that â€Å"there is the great injustice in the daily violence experienced by young black men. But the tragedy of lives cut short is not accounted for entirely, or even mostly, by violence.†[21] Indeed, as Tony Riddick pointed out, systemic racism has cost many black Americans the ability to lead a productive life in society and often the ability to reproduce. In the mid-twentieth century, this took the form of the eugenics movement. People designated â€Å"feebleminded,† a categorization for the so-called unfit of society, were often sent to colonies to live out their lives and forcibly sterilized.[22] Though eugenics has been abolished, similar practices occur today. When a person is sentenced to a prison sentence that spans their prime reproductive years, they are segregated from the rest of society and are much less likely to raise a family.[23] Tony Riddick drew a comparison between eugenics and mass incarceration, likening each to genocide.[24] Flaws in today’s criminal justice system have allowed a form of racial genocide to perpetuate in the United States. A quick internet search of the hashtag #BlackLivesMatter will bring up a sizable list of names that activists for the movement mourn as preventable deaths. Though many people know of Tamir Rice, Eric Garner, and Mike Brown, lesser-known but equally important people are added to the list of casualties regularly. One such person is Joyce Cornell, a fifty-year-old black woman who died in jail on July 22, 2015. Cornell was arrested for failing to pay court fines, a minor offense. Cornell experienced severe nausea and vomiting and was not granted medical treatment or water. She passed away one day later from dehydration.[25] These people, every black person who has lost their life early from preventable causes, represent a public health epidemic. Structural racism has decreased the life expectancy of black people living in the United States.[26] As Garcia and Sharif argue, it is necessary to â€Å"reshape our discourse† and consider racism a public health issue in order to begin to combat its effects.[27] It is vital that positive change happens for the betterment of our fellow Americans. This process begins with recognizing that racism exists and that #BlackLivesMatter. Bibliography Allen, L. C., M.D. THE NEGRO HEALTH PROBLEM. The American Journal of Public Health, 1914. Accessed February 8, 2016. Bassett, Mary T., M.D., M.P.H. #BlackLivesMatter — A Challenge to the Medical and Public Health Communities. The New England Journal of Medicine 372, no. 12 (March 19, 2015): 1085-087. Accessed March 11, 2016. Buck v. Bell.  274th  ed. Vol. 200. U.S. Supreme Court, 1927. Dorr, Gregory Michael. STERILIZE THE MISFITS PROMPTLY†: Virginia Controls the Feebleminded. In Segregations Science: Eugenics and Society in Virginia, 107-36. Charlottesville: University of Virginia Press, 2008. Garcà ­a, Jennifer Jee-Lyn, Ph.D., and Mienah Zulfacar Sharif, MPH. Black Lives Matter: A Commentary on Racism and Public Health. Am J Public Health American Journal of Public Health 105, no. 8 (August 2015): E27-30. doi:10.2105/ajph.2015.302706. Governor’s Task Force to Determine the Method of Compensation for Victims of North Carolina’s Eugenics Board.   Final Report to the Governor of the State of North Caroline (Pursuant to Executive Order 83).   Raleigh, NC, 2011. Hutchinson, Woods. The Importance of Negative Eugenics Or the Prevention of Ill-Bornness.,. The American Journal of Public Health 3 (1913): 238-42. Knapp, Andrew, and Dave Munday. Lawyers Say Woman, 50, Died after Being ‘deprived of Water’ at Charleston County Jail. Post and Courier. February 24, 2016. Accessed April 21, 2016. http://www.postandcourier.com/article/20160224/PC16/160229636. Lee, Lawrence, M.D. THE NEGRO AS A PROBLEM IN PUBLIC HEALTH CHARITY. The American Journal of Public Health 5 (1915): 207-10. Patterson, Andrea. Germs and Jim Crow: The Impact of Microbiology on Public Health Policies in Progressive Era American South.Journal of the History of Biology  42, no. 3 (Fall 2009): 529-59. doi:10.1007/s10739-008-9164-x. [1] Jennifer Jee-Lyn Garcà ­a, Ph.D. and Mienah Zulfacar Sharif, MPH, Black Lives Matter: A Commentary on Racism and Public Health,  Am J Public Health American Journal of Public Health105, no. 8 (August 2015): e27, doi:10.2105/ajph.2015.302706. [2] Garcia and Sharif, e27 [3] Garcia and Sharif, e27 [4] Lawrence Lee, M.D., THE NEGRO AS A PROBLEM IN PUBLIC HEALTH CHARITY.,  The American Journal of Public Health  5 (1915): 207. [5] Buck v. Bell.  274th  ed. Vol. 200. U.S. Supreme Court, 1927. [6] Woods Hutchinson, The Importance of Negative Eugenics Or the Prevention of Ill-Bornness.,  AJPH  3 (1913): 238. [7] Gregory Michael Dorr, STERILIZE THE MISFITS PROMPTLY†: Virginia Controls the Feebleminded., in Segregations Science: Eugenics and Society in Virginia(University of Virginia Press, 2008). [8] Garcia and Sharif, e27 [9] Dorr, 112 [10] Dorr, 111 [11] Dorr, 129 [12] Dorr, 113 [13] Andrea Patterson, Germs and Jim Crow: The Impact of Microbiology on Public Health Policies in Progressive Era American South,  Journal of the History of Biology  42, no. 3 (Fall 2009): 541, doi:10.1007/s10739-008-9164-x. [14] Patterson, 529 [15] L. C. Allen, M.D., THE NEGRO HEALTH PROBLEM.,  The American Journal of Public Health  5 (1915): 194. [16] Allen, 195 [17] Allen, 194 [18] Allen, 200 [19] Hutchinson, 240 [20] Governor’s Task Force to Determine the Method of Compensation for Victims of North Carolina’s Eugenics Board.   Final Report to the Governor of the State of North Caroline (Pursuant to Executive Order 83).   Raleigh, NC, 2011, D-10 [21] Mary T. Bassett, M.D., M.P.H., #BlackLivesMatter — A Challenge to the Medical and Public Health Communities,  The New England Journal of Medicine  372, no. 12 (March 19, 2015): 1085, accessed March 11, 2016. [22] Dorr, 120 [23] Garcia and Sharif, e28 [24] Governor’s Task Force to Determine the Method of Compensation for Victims of North Carolina’s Eugenics Board, D-10. [25] Andrew Knapp and Dave Munday, Lawyers Say Woman, 50, Died after Being ‘deprived of Water’ at Charleston County Jail, Post and Courier, February 24, 2016, accessed April 21, 2016, http://www.postandcourier.com/article/20160224/PC16/160229636. [26] Garcia and Sharif, e28 [27] Garcia and Sharif, e27

The Role of Standards in Photography

The Role of Standards in Photography   Tian Xing (Bill) He Steve McCurry is a world-famous photographer who rose to prominence after his Afghan Girl photograph appeared on the cover of National Geographic back in 1985. The photo has been called one of the iconic images of the 20th century (Cole, 971) and arguably the most famous ever taken by a news photographer (Letzter). His previous photojournalistic efforts won him a Robert Capa Gold Medal in 1980 for documenting the Soviet-Afghan War. In fact, hes one of the most-awarded photojournalists ever, and is also a member of the prestigious Magnum Photos international photographic cooperative. Given his superstar status, when reports in the media revealed some of his photographs had been digitally manipulated, a firestorm of outrage spread quickly throughout the photojournalistic community. The controversy started a fascinating debate about the role of objectivity, truth, integrity and ethics in photography. Should any of these concepts be applied to photography? If so, when and why? Some argue that trying to apply words like objectivity and truth to photography is futile because the very act of taking a photograph is inherently subjective. Photographers make all kinds of decisions when they go about capturing a moment using their cameras: Style, lens choice, position, what to show and what to exclude in the framing, editing equipment choice, toning, sequence are all manipulative and subjective (Agtmael). And yet when photography is intended for journalistic reporting, there is an expectation that it will objectively represent the moment captured. In light of the recent focus on fake news and alternative facts, ethical standards for photojournalism are perhaps more important than ever. Excerpts from the Associated Press Code of Ethics for Photojournalists is relevant: The content of a photograph must not be altered in Photoshop or by any other means. No element should be digitally added to or subtracted from any photograph. The faces or identities of individuals must not be obscured by Photoshop or any other editing tool. Only retouching or the use of the cloning tool to eliminate dust on camera sensors and scratches on scanned negatives or scanned prints are acceptable. Minor adjustments in Photoshop are acceptable. These include cropping, dodging and burning, conversion into grayscale, and normal toning and color adjustments that should be limited to those minimally necessary for clear and accurate reproduction (analogous to the burning and dodging previously used in darkroom processing of images) and that restore the authentic nature of the photograph. Changes in density, contrast, color and saturation levels that substantially alter the original scene are not acceptable. Backgrounds should not be digitally blurred or eliminated by burning down or by aggressive toning. The removal of red eye from photographs is not permissible (qtd. in Cooke). There is still a question, however, whether or not McCurry should rightfully be held to these kinds of standards. None of the photos identified as manipulated were produced for photojournalistic purposes. Does the mere fact that he built his reputation in photojournalism mean he must forever be held to such standards? Is he not allowed to engage in a more artistic photography? McCurrys own response to the controversy was to say, Today I would define my work as visual storytelling, because the pictures have been shot in many places, for many reasons, and in many situations (qtd. in Letzter). But he also went on to say the manipulations occurred in his studio without his approval and were mistakes. McCurry himself seems to be on the fence about his position; excusing himself from photojournalistic standards while still offering a mea culpa. While it seems reasonable to relieve McCurry from being held hostage by photojournalistic codes of ethics for non-photojournalistic photography, his own positioning of his work as visual storytelling deserves further consideration, for even this aspect of his work has been roundly criticized as lacking integrity. In A Too-Perfect Picture, Teju Cole compares the Indian culture photography of McCurry with that of Raghubir Singh and finds McCurrys work deficient. McCurrys series of Indian photographs from 1978 to 2012 aimed to evoke an earlier time in Indian history, as well as old ideas of what photographs of Indians should look like (Cole, 972). Based on this statement, one might be led to believe that McCurry is genuinely interested in documenting Indian culture and presenting it authentically in photographs, but Cole makes a case to the contrary. He considers McCurrys style as one that so compromises photography as to render his work astonishingly boring (Cole, 971). Cole insists that what makes a nation unique is a combination of its traditions, customs, history, and how these elements mesh together with the present. Therefore, McCurry provides the spectator with a completely mythologized history of culture, as if it has been violently broken off from the present. McCurrys consideration of a place largely from the perspective of a permanent anthological pastà ¢Ã¢â€š ¬Ã‚ ¦ [is] fantasy (Cole, 972). McCurrys methods are therefore dull bec ause they repackage old ideas as if they are exotic and distant, which aside from dull, is wholly inaccurate. Cole even compares McCurrys vision of peacocks, holy men, painted children, and incense to Coldplays Hymn for the Weekend music video; he describes it as a colorful backdrop to the fantasies of Western visitors (Cole, 974). Cole then argues that McCurry and other Western photographers seem to paint the picture they want to see, not what is actually there, and uses fantasy as a way to make exotic something that is still very real and present in these respective societies. When Cole evaluates Singhs work, he holds it up as an exemplar of what photographers shoulddo. As he writes, [Singhs] work shares formal content with McCurrys: the subcontinental terrain, the eye-popping color, the human presenceà ¢Ã¢â€š ¬Ã‚ ¦Singh gives [his audience] photographs charged with life: not only beautiful experiences or painful scenes but also those in-between moments of drift that make up most of our days (Cole, 972). Because of this style, Cole argues that Singh has a democratic eye and goes above and beyond to take pictures of the entirety of the social space from cities, towns, villages, shops, rivers, worshippers, workers, construction sites, motorbikes, statues, modern furniture, dresses, and the like (Cole, 972). Singh takes approaches from highly sophisticated influences such as Edgar Degas and Helen Levitt, and it shows. Singh is able to tell a story with his photographs in ways McCurry fails to do because McCurry does not capture the wider social space. Rather than using compositional clichà ©s, Singh is able to produce a story that is truly dedicated to providing a more objective account that attempts to break away from preconceived notions. Coles contrast of these two photographers is stark. While Single is always emotionally generous when it comes to acknowledging his subjects for what they are, McCurrys work lacks depth and is a quick message [of] sweetness, pathos, humor that fails to deliver beyond its self-imposed limitations (Cole, 974). McCurrys fantastical portrayals of ancient cultures lack integrity in the eyes of Cole, although this problem is by no means unique to his work. It is a common Western narrative structure. In How to Write About Africa, Binyavanga Wainainaspeaks of the stereotypical images Westerners superimpose onto Africa in their descriptions. Africa is satirized by Wainaia as nothing more than depraved conditions. He writes of an AK-47, prominent ribs, naked breasts as if these subjects are utterly helpless people who are starving to death and rotting (Wainaina, 543 544). He goes into satiric detail about how Africans apparently eat things no other humans eatà ¢Ã¢â€š ¬Ã‚ ¦ and how they wait for the benevolence of the West (Wainaina, 544). While these are all exaggerations, they do make a point: The West is preoccupied with preserving stereotypical Africa. They are obsessed with conservationism and its nature, but they care little beyond this because it is all they see. For Wainaina, however, the real conservationists are the peoples in Africa who truly know the land. Cole and Wainaina both discuss stereotypes as they relate to cultures in India and Africa, which are fueled by Western fantasies. It seems Westerners enjoy telling stories and painting pictures of a lost cultural past, but this is only to maintain their own preconceived notions. They have little to do with the actual lived experiences of these peoples. Masked by these stereotypes, Western spectators see India and Africa as consisting entirely of these brazen caricatures. For Cole, this is just outright bad photography since peoples stories must be told through the photo. If not, then the photo is a mere manipulation of real life. Because any photograph cannot capture the entire social scope of any particular culture, what is chosen for portrayal can paint a distorted, oftentimes dramatized look at marginalized peoples as if they lack agency. This kind of photography most certainly supports a world view with a decidedly Western bent. Like any art, photography embodies subjectivity and bias. What shapes the story of the image goes beyond the subject it captures it also includes the setting, the camera chosen, lighting, and innumerable other elements that go into composing and taking a photograph. If a photographers work falls squarely under the umbrella of photojournalism, there is a responsibility to adhere to a code of ethics to mitigate the subjective aspects. Outside the realm of photojournalism, while Coles criticisms of McCurry related to integrity are well-founded given Western photographys penchant for stereotypes and fantasy in the depiction of other cultures, demanding that photographers always capture the fullness of a peoples culture and story in each photograph goes too far. Besides being unrealistic, photography that is more artistic than journalistic should be judged by standards of aesthetics rather than standards revolving around such concepts as objectivity and truth. Finally, aesthetic standard s are themselves subjective and will differ from person to person, which helps explain why much of McCurrys work can be loved by so many but can also invoke criticisms such as those offered by Cole. Works Cited Agtmael, Peter van. Why Facts Arent Always Truths in Photography. Time, Time, 12 May 2016, time.com/4326791/fact-truth-photography-steve-mccurry/. Cole, Teju. A Too-Perfect Picture. The Broadview Anthology of Expository Prose, Edited by Laura Buzzard et al., Third, Broadview Press, Peterborough, 2016, pp. 971-974. Cooke, Alex. The Case of Steve McCurry: What Is Truth in Photography? Fstoppers, Fstoppers, 12 May 2016, fstoppers.com/editorial/case-steve-mccurry-what-truth-photography-129505. Letzter, Rafi. The Afghan Girl Photographer Faked Some of His Photos. Does It Matter? Business Insider, Business Insider, 21 May 2016, www.businessinsider.com/steve-mccurry-photo-editing-scandal-2016-5. Wainaina, Binyavanga. How To Write About Africa. The Broadview Anthology of Expository Prose, Edited by Laura Buzzard et al., Third, Broadview Press, Peterborough, 2016, pp. 543-546.

Santana :: Essays Papers

Santana All the world knows the special magic of Carlos Santana as expressed through his music and his guitar playing, which is among the most distinctive and recognizable in all music. His is a tone of vibrant energy that bathes the human soul and awakens the unconscious spirit. The spirit of truth, the spirit of Brotherhood. In every performance, Carlos shares with his audience a personal communication that crosses all boundaries and differences, and makes all people, one people, one family. Carlos' music embodies a living heritage of music and family. The "Brothers" album (on Island Records), described as "a banquet of musical treats and surprises", has Carlos sharing the spotlight with two special guitarists - brother, Jorge Santana, and nephew Carlos Hernandez in his recording debut. In "SACRED FIRE", a 97 minute video and 13-song CD released by Polydor in 1993, Carlos captured the excitement and spirit of his live concerts in Mexico and South America with a mix of his biggest hits as well as some previously unrecorded material. In "LIVE FOREVER", the debut release on his Guts & Grace label, Carlos paid his respects to some contemporaries whose spirits continue to provide musical inspiration for us all. The CD includes songs by Jimi Hendrix, Marvin Gaye, Bob Marley, Stevie Ray Vaughan and John Coltrane. Each of these three projects offers a glimpse, an added dimension, of a soul that has touched millions around the world. Carlos was introduced to "traditional music" by his father, Jose. An accomplished mariachi violinist and experienced musician, he taught Carlos the basics of music theory and gave him an understanding of the value of a note. Although Carlos' excitement for music would be sparked by his first experience, he quickly discovered the limits of its traditional form and wanted more. Carlos wanted to play the kind of music that was filling the radio waves and making people dance. Tijuana, 1955. The music was rock 'n roll. The drastic change of moving from the small, quiet town of Autlan to the humming, thriving boom town of Tijuana brought a renewed hope and opportunity for a new life. Both for Carlos and his family. The eight-year old Carlos quickly left the violin for the guitar, studying and emulating the sounds of B.B. King, T-Bone Walker and John Lee Hooker. Soon he was being asked to join local bands like the "T.J.'s", where he added a unique touch and feel to his own renditions of all the great songs of the 1950's.

Hills Like White Elephants by Ernest Hemingway Essay examples -- Hills

"Literature is a luxury: Fiction is a necessity" (Chesterton). Literature is a single phenomenon that will always remain in the lives of people throughout the years. According to Andre Maurois, "In literature, as in love, we are astounded by what is chosen by others." Fiction Literature is one of the most fascinating types of Literature. There are many types of Fiction Literature read across the world and with much selection, the greatest are short stories. Out of those, one very memorable short story is called "Hills Like White Elephants". The author, Ernest Hemingway, has created many intriguing stories with his recognizable syntax. The specific style he is known for may be childish and use only a few small lines, but nevertheless his writings are continuously read by many people. Like any exceptional author would, Hemingway manipulates his text to get across certain themes in the plot of his stories. A couple themes found in "Hills Like White Elephants" are doubt, choices, conseq uences, and decision-making. These themes are noticed by Hemingway's use of various different literary elements in the story. They help the reader better understand the true meanings behind "Hills Like White Elephants"' seemingly empty plot. The characters in this story are very believable because they play very realistic roles. For their situation, these characters are appropriately casted. The protagonist of this story is a girl named Jig. She is portrayed as a flat character where we only see one side of her throughout the story. We only see her doubt and worry over not being able to make a decision. The decision she is trying to make is whether or not to go through with an 'operation' that is not directly stated. We later infer that she... ...about life itself. May we all learn from this reading experience as well as gain knowledge about the world as we know it. Works Cited Akers, Tim. â€Å"Hills Like White Elephants.† Short Stories for Students. Ed. Vol. 6. Detroit: Gale Group, 1999. Short Stories for Students. Gale. Web. 8 Apr. 2015. Hemingway, Ernest. "Hills Like White Elephants". LitFinder for Schools. Gale. Web. 4 Apr. 2015.. Henningfeld, Andrews Diane. Overview of Hills Like White Elephants, for Short Stories for Students, The Gale Group, 1999. Web. 12 Apr. 2015. Johnston, Kenneth G. "'Hills Like White Elephants' Lean, Vintage Hemingway," in Studies in American Fiction, Vol. 10, No. 2, Autumn, 1982. Web. 12 Apr. 2015. Weeks, Lewis E. Jr., â€Å"Hemingway Hills: Symbolism in â€Å"Hills Like White Elephants,† in Studies in Short Fiction, Vol. 17, No. 1, Winter, 1980. Web. 4 Apr. 2015.

Happy-haus Food Corporation Essay

Happy-haus Food Corporation is the mother franchisor of happy-haus Donuts. The company was established in 2005 by seasoned individuals in the donut industry. The company’s aim is to create quality donut products at affordable prices. Happy-haus Food Corporation is the mother franchisor of happy-haus Donuts. The company was established in 2005 by seasoned individuals in the donut industry. The company’s aim is to create quality donut products at affordable prices. This was realized with the birth of happy-haus Donuts, a franchising business, giving not only quality products at affordable price but also formulating a superb business opportunity to Filipino families. The company believes that luscious mouth watering donuts should be available to all Filipino families and not just to those who can afford expensively priced donuts. At happy-haus Donuts, total quality is assured through ingredients and equipments sourced both from the United States and locally following stric t quality control standards. Company Vision The company’s vision is to be the number one donut retail company in the Philippines and expand into nearby countries like China and Taiwan. The company’s principle is to provide high quality products at affordable prices. The company aims to provide this service to the Filipino people and eventually to other countries as well. In order to achieve this vision, the company continues to increase its production volume and invest in product development to provide quality and affordable donuts to Filipino families. The company ensures this attainment of this vision by: †¢ Continually seeking strategic locations to open outlets through franchising. †¢ Drive sales growth through a focused operations strategy. †¢ Prioritize innovation in product development and sourcing of alternative sources of raw materials. Company Mission The company’s mission reflects the ultimate reason for our existence. One of them is to provide a superb business opportunity to Filipino entrepreneurs. Another is to provide high quality affordable donuts to the Filipino market. And lastly, the company is dedicated to consistent improvements. Core Values Our company is committed to: †¢ Excellence †¢ Service †¢ Professionalism †¢ Social Responsibility